Pop up play for grown ups

I knew even before the boisterous arrival of my two anklebiters that play is inherent in the everyday. It’s more about taking it all in, of finding opportunities and enjoying where you are. I see this unrelentlessly in the doings of the anklebiters. Call it play, call it work but the children, they are engrossed in what they are doing. Of what is available around them to invite into their worlds. Smiles and tears but always an experience. So yes dear friend, I’m not telling you to go out and procreate but rather take a journey with me and nourish your inner child.

Along the way, I met David. He has worked in Early Years in the US, Australia and most recently the UK since 2007. He is becoming  bit obsessed with the power of play and what it can do for personal and community health when it is properly valued. Together, we are looking to re-engage the young, the not so young and everyone in-between in play and playful experiences.

We believe playing and being playful are good for the heart, mind and body. Watch out for us and come join in the fun!

What time is the street ballet?

The ballet of the good city [footpath] never repeats itself from place to place, and in any one place is always replete with new improvisations.

-Jane Jacobs

 

The diversity of urban life lends itself to street ballet every minute every day. As diversity has a spectrum, so echoes the spectrum of the street ballet. The Meanwood ballet’s got nothing on the St Kilda’s ballet. And I would say St Kilda’s street ballet is akin to Venice Beach’s ballet. No destinations? No people. No people? No ballet. William H Whyte was right. People are attracted to people. In neighbourhoods, that means that there are places to see and be seen.

Lucia’s Neigbourhood by Pat Shewchuk and Marek Colek elucidates the manifold footpath improvisations occurring in one girl’s neighbourhood. Like Have you Seen my Dragon? or Footpath Flowers, a child walks through the neighbourhood. The intent here, however, is to give you a tour. From an early morning walk through the park, to the opening of the corner shops all the way through evening night markets, Lucia narrates the life of the people in her neighbourhood. She even lends cultural credo by talking about the Senhor Da Pedra festival where the street is decorated like Portugal. Lucia talks about porches, grandmas sitting in the sun, teenagers hanging out and the comings and goings of the tram driver. Illustrations are digitally rendered and are significantly replete with people.

Ankle biter 1 indulged me with this book. It’s not his thing. It encapsulates what he already lives. Honestly, he’d rather live it than read it. (And so he should). The problem with the tour concept is that for him, nothing happens. There’s no ‘adventure’ for him. (This book or this book provides ‘adventures’). It illustrates ‘community’ with all the people out and about but honestly, the static of the scenes doesn’t invite him to participate. Perhaps this will come back out when he’s ready to practice reading. Ahhhh for him to recognise the words ‘street ballet’, ‘neighborhood’ (even sans ‘u’) and porches.

I won’t lie. I ordered this week’s book right off the bat when I read that “seven-year-old-Lucia” was learning about Jane Jacobs. I should have read the title. It’s not blatantly about Jane; it’s about Lucia. This book, however, elucidates the type of neighbourhood that Jane would advocate. There is high movement and involvement among and between people due to the density, mixed neighbourhood uses and small street blocks. This is probably a cheeky primer for undergrads. For children, meh. Although this book is based on Montrose Avenue which has been internationally celebrated. Perhaps better as a moving piece rather than a static one?

Our street ballet usually involves dogs and small kids and sometimes a perusal of our library. Slowly the delight of the daily improv will radiate here. So what time is the street ballet? Depends. Who’s out on your street? What about your neighbourhood attracts other people?

Five things I’ve learned about my little free library

It’s been about a month or so since the opening of the free little library and here’s what I learned:

  1. You get a superiority complex because with this little library, you initially curate books for people to read. Yes, I think you should read ‘Atonement’ but what? you’re not interested in ‘Moby Dick’?
  2. I’ve seen at least two people take phone photos of the library. I don’t know if they think it quaint or if they are going to report it. Let’s hope it’s the former.
  3. Gypsies exist. You heard me. One day, ankle biter shouted, “The movers, they’re taking away the library.” Yea, whatevs. Later during the day, just to prove to him that nobody took the fridge, I opened the door. Lo and behold, our library was a bit askew. The gypsies took the motor. Good on them.
  4. I think the takers and givers are not the same people. I’ve been placing an additional adult novel or two per week just to keep it full. Right now there’s equal parts children, young adult and crime fiction currently donated and on offer. And thank you unnamed chef for donating an 80s collection of cookbooks. They may make their way to the op shop but who am I to say?
  5. Have we made more friends? No. Any books that have been taken or given have been done anonymously. It’s like Christmas when we open the library. We never know if there’s something new- and if something is missing or something new, it means someone’s day is just a wee bit brighter.

A Free Passport to the World

Summer afternoon—summer afternoon; to me those have always been the two most beautiful words in the English language.

-Henry James

I do love me a good summer. Summer for me has always meant days immersed in the sun languished in the Channel Islands, Albuquerque tribal lands, an Avonlea farmhouse, the Concord forest. Distant adventures courtesy of the pages of a book. No, not a passport but a bonafide book book. It’s no secret, if you’ve been following along, we love books here. A true passport for a quick getaway, an endless holiday or something inbetween. The library has always been and always remain our travel consultant for our holidaying minds.

This week’s book humbles us. Waiting for the Biblioburro by Monica Brown and illustrated by John Parra is about a little girl Ana who loves making stories yet owns one book. One day along with the other village children, Ana encounters a man with two donkeys, Alfa and Beto with a sign that reads, Biblioburro (translated: donkey library). This moving library offers children the opportunity to borrow books for a few weeks. In the interim, Ana reads and dreams new stories. She waits for the Biblioburro to return. When they do, she has a surprise for the librarian. The illustrations are stunning with surreal mural montages that celebrate village living and whimsical imagination. It includes a glossary of Spanish terms used in the book.

Anklebiter 1 has recently relished the ‘story’. Move over picture books. He’ll sit and look at images but likes to listen to the unfolding narrative. He loved the notion of burros (donkeys) and a traveling library. He had many questions about Ana’s stories. “Why does the bird have legs?” “Can I fly on a butterfly plane?” He says ‘libro’ (book). This libro has been on rotation for a few weeks now. That says something.

I adore this book because it is inspired by Luis Soriano Bohorquez’s own acts of literary kindness. Bohorquez and his two trusty donkeys deliver books to children living in remote Columbian villages. It opened up my eyes to the various forms of libraries as well as the pulp deficiencies many children experience. An urban imagined for children should always include access to books. With free access to several libraries, we are fortunate and rather spoilt for stories both fiction and factual. Libraries need not always be brick and mortar. And we are sharing the wealth. Before television, before cars and video games, there were books. Books transport us and library cards are the true passports. Where will you travel during these remaining days of a northern hemispheric summer?

Happy 100th Birthday Year Jane Jacobs

 

Jane Jacobs. (1916-2006). I’m late to the wishes but let’s call it a year long celebration! Godmother of Urban Design, thank you for being an observer of the urban. Of relishing your staircase stump in Greenwich Village. Of demanding that architects and planners (cough Edmund Bacon and Robert Moses) put people first over  lofty illusions of the grandeur. Of highlighting the importance of street life. You became a planner not by formal training but sheer observation, reporting and activating the local. Thank you for introducing terms such as social capital, street ballet and eyes on the street. You leave a legacy that we should all endeavour to fulfil.

 

Have we lost the art of wonder?

wonder. N. a feeling of amazement and admiration, caused by something beautiful, remarkable or unfamiliar.

 

Even before the anklebiters (and perhaps more so now that they’re here), I have tried to relish in the serendipity of the everyday. The chance to see or experience how the world unfolds in the great outdoors. Both manmade and natural. Framing the world through these eyes has more than once urged others to see the world anew. “You see things differently.” Sure, it started in childhood because how could we not be impressed with water flowing from the sink or wind rustling through the trees or the tickling softness of a brown black caterpillar about to feast on the strawberry reserved for mum’s special treat? Somewhere along the line, boys and pop music and jolly ranchers obscured the vision but added alternative bouts of wonder. But an eighth grade English teacher re-invigorated these eyes, asking to scribble thoughts in a weeklong exercise of observation. And observe I did. The skies opened up with sherbet surprises announcing dusk. Silhouettes of Joshua trees square-danced in the moonlight. I remembered to look up and out and I haven’t stopped. I’ve been lucky. I haven’t lost the art of wonder.

This week’s book is the graphic corollary to my research. Children are experiential beings; they interact with the stimulus around them. Walking is just not walking it is truly the art of wonder. Sidewalk Flowers (or here abroad known as Footpath Flowers) written by JonArno Lawson and illustrated by Sydney Smith visually entertains such ideas. It is a graphic novella sans words and follows the neighbourhood escapade of a father and daughter. Daughter is enrobed in a red hooded jumper that contrasts with the black and white depictions of the neighbourhood. As Father and Daughter traverse the footpath, passing busstops, shopfronts, park benches, the scenery starts blooming. Colours slowly filter in as Daughter gathers flowers during the jaunt and redistributes such gems. Unbiased kindness as Daughter touches physically and metaphorically the lives she encounters all whilst Father projects an oblivious air as adults often do.

Ankle biter 1 sat through a reading. He didn’t seem impressed Although he did like the canine cameo. “Will he eat (the flowers)? Or is he saving them for later?” Without spoiling too much, he did have questions about the distribution of Daughter’s flowers in the park. I think this one is more for adults or older children than anklebiters. I enjoyed it immensely for all my ranting above. Being surrounded by children and seeing what they are seeing- truly, I cannot help but be immersed in wonder. Truth be told, you don’t need children to be amazed with what’s around you. Get out of your car and open your senses. Skill yourself in this art of wonder because it really isn’t lost it’s just unused.

A Pleasant Life

“It is impossible to live a pleasant life without living wisely and honourably and justly, and it is impossible to live wisely and honourably and justly without living pleasantly.”

-Epicurus